You can use parallel and layer nodes to make multiple edits on a single node, with the outputs combined into one via a mixer. There are serial, parallel, layer, and outside nodes. One thing that gives newcomers anxiety about the color page is the different node types. Serial nodes are your bread-and-butter, but sometimes you need to throw in a parallel node. As with the famous writing adage, less is more. It just makes it more tedious, especially if you’re repeating the process for every clip across the timeline. Having more layers doesn’t make your work better, though. Some colorists will have a dozen layers, and others may only need half as many. You can think of nodes as layers, and you’ll want every big change you make on a separate node. But before you can run (or jog), you must learn to walk. The color page is where I have the most fun, getting creative and experimenting with different techniques. Once you learn how to color-correct your footage and apply custom color grades, your videos will look alive.

Sure, mastering the Color page in Resolve takes years of practice, but learning the basics is enough to make a difference in your videos. While it’s true that professional colorists use DaVinci Resolve to color grade, that doesn’t mean it’s inaccessible to the average user.

It’s what professionals across the industry use to color your favorite movies. Still, learning how to use the Color page is worth the hassle because Resolve is known for its color page. The Color page, on the other hand, is not. The Media, Cut, and Edit pages are all fairly straightforward to grasp if you’re familiar with NLEs. It’s a lot to take in, especially if you’re coming from Premiere Pro, but many skills are transferable. DaVinci Resolve contains the entire post-production pipeline, from file organization to special effects. The biggest advantage to using DaVinci Resolve is that it does everything. The Color page in DaVinci Resolve is a lot to take in, but you can get started with only a few basic tips.

Davinci resolve color